After Shakespeare wrote MACBETH, maybe there was not much else left to say about ambition, power, guilt, lust. Then along comes Giuseppe Verdi. Now Anna Netrebko.
The first encore of the season is scheduled for Wednesday at 6:30 p.m. local time.
"What Netrebko lacks in subtlety, she makes up for in bosom." -- Cotterpen.
MoMozart’s Le Nozze di Figaro
M
October 18, 2014, 12:55 pm ET. Encore: Wed., Oct. 22, 2014, 6:30 p.m.
Met
Music Director James Levine conducts a spirited new production of Mozart’s
masterpiece, directed by Richard Eyre, who sets the action of this classic
domestic comedy in an 18th-century manor house in Seville during the 1930s. Dashing
bass-baritone Ildar Abdrazakov leads the cast in the title role of the clever
servant, opposite Marlis Petersen as his bride, Susanna, Peter Mattei as the
philandering Count they work for, Amanda Majeski as the long-suffering
Countess, and Isabel Leonard as the libidinous pageboy Cherubino.
Approximate running time 3:50
Bizet’s Carmen
November 1, 2014, 12:55 pm ET. Encore: Wed.,
Nov. 5, 2014, 6:30 p.m.
Richard
Eyre’s mesmerizing production of Bizet’s steamy melodrama returns with
mezzo-soprano Anita Rachvelishvili singing her signature role of the ill-fated
gypsy temptress. Aleksandrs Antonenko plays her desperate lover, the soldier
Don José, and Ildar Abdrazakov is the swaggering bullfighter, Escamillo, who
comes between them. Pablo Heras-Casado conducts the irresistible score, which
features one beloved and instantly recognizable melody after another.
Approximate running time 3:40
Rossini’s Il Barbiere di Siviglia
November 22, 2014, 12:55 pm ET. Encore: Wed.,
Nov. 26, 6:30 p.m.
The
Met’s effervescent production of Rossini’s classic comedy—featuring some of the most instantly recognizable
melodies in all of opera—stars Isabel
Leonard as the feisty Rosina, Lawrence Brownlee as her conspiring flame, and
Christopher Maltman as the endlessly resourceful and charming barber, himself.
Michele Mariotti conducts the vivid and tuneful score.
Approximate running time 3:25
Wagner’s Die Meistersinger von Nürnberg
December 13, 2014, 12 pm ET. Encore: Wed.,
Dec. 17, 6:30 p.m.
James Levine returns to one of his signature Wagner works
conducting this epic comedy—back at the Met for the first time in eight
years—about a group of Renaissance “master singers” whose song contest unites a
city. Michael Volle, Johan Botha, and Annette Dasch lead the superb
international cast in this charming and magisterial celebration of the power of
music and art.
Approximate running time 6:00
Lehár’s The Merry Widow—New Production
January 17, 2015, 12:55 pm ET. Encore: Wed,
Jan 21, 6:30 p.m.
The great Renée Fleming stars as the beguiling femme fatale who
captivates all Paris in Lehár’s enchanting operetta, seen in a new staging by
Broadway virtuoso director and choreographer Susan Stroman and her design team of Julian Crouch and costume designer William
Ivey Long, creating an art-nouveau setting that
climaxes with singing and dancing grisettes at the legendary Maxim’s. Nathan
Gunn co-stars as Danilo and Kelli O’Hara is Valencienne. Andrew Davis conducts.
Approximate running time 3:00
Offenbach's Les Contes d'Hoffmann
January 31, 2015, 12:55 pm ET. Encore: Wed.,
Feb. 4, 6:30 p.m.
The
magnetic tenor Vittorio Grigolo takes on the tortured poet and unwitting
adventurer of the title of Offenbach’s
operatic masterpiece, in the Met’s wild, kaleidoscopic production. Hibla
Gerzmava, Erin Morley, and Christine Rice sing the three heroines—each an
idealized embodiment of some aspect of Hoffmann’s desire. Thomas Hampson
portrays the shadowy Four Villains, and Yves Abel conducts.
Approximate running time 3:45
Tchaikovsky’s Iolanta /
Bartok's Bluebeard's Castle—New
Production
February 14, 2015, 12:30 pm ET. Encore: Wed.,
Feb. 18, 6:30 p.m.
On the
heels of her triumphant Met performances in Eugene Onegin, soprano Anna Netrebko takes on another
Tchaikovsky heroine in the first opera of this intriguing double bill, consisting
of an enchanting fairy tale (Iolanta) followed
by an erotic psychological thriller (Duke
Bluebeard’s Castle). Netrebko stars as the beautiful blind girl who
experiences love for the first time in Iolanta, while Nadja Michael is the unwitting victim
of the diabolical Bluebeard, played by Mikhail Petrenko. Both operas are
directed by Mariusz Trelinski, who was inspired by classic noir films of the
1940s. Iolanta also
stars Piotr Beczala, and Valery Gergiev conducts both operas.
Approximate running time 3:40
Rossini’s La Donna del Lago—Met Premiere
March 14, 2015, 12:55 pm ET. Encore: Wed.,
March 18, 6:30 p.m.
Bel
canto superstars Joyce DiDonato and Juan Diego Flórez join forces for this
Rossini showcase of vocal virtuosity, set in the medieval Scottish highlands
and based on a beloved novel by Sir Walter Scott. DiDonato is the “lady of the
lake” of the title, and Flórez is the king who relentlessly pursues her, their
vocal fireworks embellishing the romantic plot in this Met premiere production
conducted by Michele Mariotti.
Approximate running time 3:30
Mascagni’s Cavalleria Rusticana /
Leoncavallo's Pagliacci—New
Production
April 25, 2015, 12:30 pm ET, Encore Wed, Apr.
29, 6:30 p.m.
Opera’s
most enduring tragic double bill. Marcelo Álvarez playing the dual tenor roles of Turiddu in Cavalleria Rusticana and
Canio in Pagliacci.bbb Eva-Maria Westbroek (Cav) and Patricia Racette (Pag) sing the unlucky heroines, and Met Principal
Conductor Fabio Luisi is on the podium.
Approximate
running time 3:30